marius boekhorst breaks down flowers into fragments of color with geometric glass

marius boekhorst breaks down flowers into fragments of color with geometric glass

by filtering floral imagery through a familiar architectural material, the dutch designer explores how we look at nature, and what happens when we pause to see it differently.

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marius boekhorst frames nature through glass sculptures

 

Marius Boekhorst uses patterned glass to frame the natural world in his Violet series, a collection of geometric glass sculptures where flowers dissolve into abstract compositions of color. Boekhorst creates three-dimensional still lifes in which botanical compositions appear fragmented and distorted, inviting a slower, more attentive way of looking at familiar forms.

Three-quarter view of a geometric glass sculpture containing flowers, with its textured grid surface distorting the colors and shapes
all images courtesy of Marius Boekhorst

 

 

framing nature through architectural glass

 

Commonly associated with domestic windows, doors, and interior partitions, patterned glass has the ability to filter light and obscure views, maintaining a degree of transparency. Dutch artist and designer Marius Boekhorst looks beyond these practical functions, using its textured surface to transform the way flowers are seen.

 

The sculptures arrange patterned glass into a geometric volume, with floral imagery appearing behind its surfaces. As light passes through the textured elements, the flowers break into smaller fragments of color and shape. Petals become abstract patches of orange, purple, and pink, while foliage dissolves into different shades of green. The glass functions like a lens framing nature while interrupting its representation, applying a filter over the original image. The flowers remain recognizable as outlines filled with color, but their exact shapes and their detailed petal and leaves are never entirely accessible.

A rectangular glass sculpture with a grid-like surface stands on a gallery floor, with colorful flowers visible through its patterned panels
Violet Pixel arranges patterned glass panels into a geometric volume

 

 

a different way of looking at the natural world

 

The contrast between the rigid geometry of the glass shell and the organic character of its floral imagery is central to the work. The repeated pattern of the glass introduces an order to the organic subject of the work, while the flowers bring irregularity and movement into the composition. Neither completely dominates the other, but, instead, they coexist in an exchange between structure and nature.

 

Boekhorst describes this relationship through the idea of glass as a canvas and flowers as paint. The compositions resemble abstract paintings, although their depth and material construction give them a sculptural quality. Transparency, blurriness, visibility, and distance become tools for reshaping the familiar image of a still life.

 

The series has developed through several iterations, including Violet Frosted and Violet Pixel, each exploring the relationship between patterned glass and botanical imagery. The artist has also translated the sculptures into a series of two-dimensional art prints, retaining the fragmented compositions while shifting the experience from a three-dimensional object to a flat image.

Close-up of purple and orange flowers viewed through small square sections of textured glass
orange and purple flowers appear in fragments
Close-up of orange flowers and green foliage seen through a grid of small square glass sections, which fragment and distort the floral forms
close-up reveals flowers broken into colored fragments by the grid of patterned glass

marius-boekhorst-flowers-into-pixels-of-color-with-geometric-glass-designboom-large01
small reflective glass sections break the floral composition into a mosaic of color
A square glass sculpture with frosted, translucent surfaces blurs a colorful arrangement of flowers inside
Violet Frosted softens a floral arrangement behind a translucent glass enclosure
Close-up of red, purple, yellow, and white flowers seen through textured translucent glass, with their shapes softened and blurred
the frosted texture blurs individual petals into soft patches of color
Abstract close-up of colorful flowers distorted behind a rippled, frosted glass surface
the textured glass reduces the floral arrangement to an interplay of color and blurred form
marius-boekhorst-flowers-into-pixels-of-color-with-geometric-glass-designboom-large02
the patterned glass repeats and fragments the floral imagery
A square glass sculpture with frosted, translucent surfaces blurs a colorful arrangement of flowers inside
Violet Frosted softens a floral arrangement behind a translucent glass enclosure
Close-up of two glass panels meeting at a corner, with yellow, purple, red, and green floral forms blurred behind the textured surfaces
the meeting edges of the glass panels frame overlapping fragments of the floral composition
A rectangular glass sculpture with textured reflective surfaces surrounds a colorful floral arrangement, standing against a plain gallery wall.
a geometric glass enclosure refracts a dense arrangement of pink, red, yellow, and purple flowers
overhead view of a square glass sculpture filled with colorful flowers
the flowers form an abstract composition
Close-up of a glass sculpture showing two intersecting sides, with a colorful floral arrangement visible through its rippled surfaces
the glass enclosure distorts the floral arrangement into a dense composition of color and texture
A cube-shaped glass sculpture containing a colorful floral arrangement stands on a gallery floor, its textured surfaces blurring the flowers
the geometric glass volume blurs a colorful floral arrangement across its intersecting surfaces
Close-up of pink, red, blue, and yellow flowers viewed through textured glass, which distorts their petals and colors.
pink, red, and blue flowers merge into overlapping fragments

 

 

 

 

 

This article is part of designboom’s POSTHUMAN UTOPIAS chapter, exploring what happens when humans are no longer the measure of all things. These stories rethink our relationship with the planet through interspecies architecture, living materials, regenerative landscapes and emerging technologies – learn more here! The chapter is presented in partnership with INDX|GLOBAL – a global cultural platform placing Indian architecture, design, and creative intelligence in conversation with the world.

 

Each designboom editorial series explores one theme in depth through projects, interviews, features and news across architecture, design, art and technology. Discover more chapters here, and get in touch if you’d like to submit a story through our submissions portal or contact form.