olafur eliasson exhibits light, shadows, reflections & VR for ‘nel tuo tempo’ in palazzo strozzi

olafur eliasson exhibits light, shadows, reflections & VR for ‘nel tuo tempo’ in palazzo strozzi

Olafur Eliasson for ‘Nel Tuo Tempo’ in Palazzo Strozzi

 

‘Nel Tuo Tempo’ translates as ‘In Your Time’, a seemingly look as to how transition takes place, whether it is a transitory period to witness or a memory to embed in one’s mind. For Icelandic-Danish artist Olafur Eliasson, such thought forms only a part of the whole scheme. He envisioned creating a meet-up space between art, architecture, and culture aficionados. He materialized this idea with ‘Nel Tuo Tempo’ in Palazzo Strozzi, the artist’s largest exhibition in Italy to date. Light, shadows, reflections, patterns, saturated colors, and VR technology interweave in site-specific installations and sculptures of the artist, a meeting between his new and older works that address subjective perception and shared experience within the Renaissance architecture of the palace.

 

Eliasson sees the exhibition location as an entity that has traveled through centuries to greet the present community, acting as a co-producer of the exhibition rather than just a body to present his artworks. He nods to his visitors too when he says they have traveled as well, ‘each mind and body different from the others. On individual journeys – with diverse backgrounds and experiences – we meet up in the here and now of the exhibition.’ Olafur Eliasson’s ‘Nel Tuo Tempo’ in Palazzo Strozzi, curated by Arturo Galansino, lasts until January 22nd, 2023.

olafur eliasson in palazzo strozzi
image: Olafur Eliasson, Firefly double-polyhedron sphere experiment, 2020 & Colour spectrum kaleidoscope, 2003 | header image: Olafur Eliasson, Under the Weather, 2022 | photos by Ela Bialkowska, OKNO Studio 

 

 

Inquiry on the limits of space and perception

 

The practice of Olafur Eliasson spans installations, paintings, sculptures, photography, and film, and visitors experience how he swings between these mediums as he hangs structures, places spotlights, toys with light, refracts reflections, and inquires on the limits of space and perception though ‘Nel Tuo Tempo.’ Upon entering Palazzo Strozzi, Under the weather (2022) welcomes the visitors with its elliptical structure over 10 meters tall, dangling over their heads 8 meters above the ground. The moiré effect it conjures exploits one’s attention as its movement shifts with every move, the theme of perception coming into sight. Eyes down from looking above, the visitors enter Piano Nobile where the first three rooms – Triple Seeing Survey, Tomorrow, and Just Before Now – anchor Eliasson’s installations that employ lights, colors, and shadows. People walk and shadows follow – everyone sees the movement, in and out.

 

The arc of cyclicity climaxes in How do we live together (2019) and Solar compression (2016). The former sculpts a large half ring that connects to the mirror placed on the ceiling, creating a full circle while expanding the visual space of the room. It ushers in the thought of two halves forming a whole, the missing piece falls into the place once the puzzle finds its other parts. The latter projects a disc with mirrors on each side, gently rotating against the movement of the air while suspended in space. It emits bright yellow light that floods the room with brightness enough for the eyes to take time to adjust to the shift in saturation, an indication, perhaps, of one’s adaptability that may, at times, take a moment before it morphs to the new reality.

olafur eliasson in palazzo strozzi
Olafur Eliasson, Eye see you, 2006

 

 

Displaying one’s shifting perception

 

Light prevails in the other rooms. Beauty (1993) reminisces about a still rainbow flashing over a misty waterfall.  Colour spectrum kaleidoscope (2003) consists of dichromatic mirrors of different colors, shaped in a hexagonal kaleidoscope. Eliasson sees kaleidoscopes as a fact of one’s fragility and flexibility to be disorganized and reconfigured, his playful approach to elicit different perspectives and views about the world. He has dabbled into VR technology too as he presents, for the first time,Your view matter (2022) in the Strozzina space of the palace.

 

Here, visitors enter a digital world with six virtual spaces and interact with the complex geometry and the Platonic solids that Eliasson conceived. From virtual to present reality, Olafur Eliasson moves between borders for ‘Nel Tuo Tempo’, always considering shifting perception in the light of lights. Olafur Eliasson was also the DESIGN PRIZE winner for the EXPERIMENTATION category.

olafur eliasson in palazzo strozzi
Olafur Eliasson, Red window semicircle, 2008

olafur eliasson in palazzo strozzi
Olafur Eliasson, Room for one colour, 1997

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Olafur Eliasson, Solar compression, 2016

olafur eliasson in palazzo strozzi
Olafur Eliasson, Beauty, 1993

olafur eliasson in palazzo strozzi
Olafur Eliasson, Your timekeeping window, 2022

olafur eliasson in palazzo strozzi
Olafur Eliasson, Your view matter, 2022

olafur eliasson in palazzo strozzi
Olafur Eliasson, Fivefold dodecahedron lamp, 2006

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Olafur Eliasson, How do we live together, 2019

 

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Olafur Eliasson, Colour spectrum kaleidoscope, 2003
Olafur Eliasson, Colour spectrum kaleidoscope, 2003
Olafur Eliasson, Triple seeing survey, 2022
Olafur Eliasson, Triple seeing survey, 2022
Olafur Eliasson, Tomorrow, 2022
Olafur Eliasson, Tomorrow, 2022
Olafur Eliasson, Tomorrow, 2022
Olafur Eliasson, Tomorrow, 2022
Olafur Eliasson, Just before now, 2022
Olafur Eliasson, Just before now, 2022
Olafur Eliasson, Your view matter, 2022
Olafur Eliasson, Your view matter, 2022

project info:

 

name: Olafur Eliasson: Nel Tuo Tempo

artist: Olafur Eliasson

curation: Arturo Galansino

exbibition location: Palazzo Strozzi, Florence, Italy

promoted & organized by: Fondazione Palazzo Strozzi

main supporter: Fondazione CR Firenze

DBINSTAGRAM (2250)

EXHIBITION DESIGN (247)

OLAFUR ELIASSON (69)

PALAZZO STROZZI (11)

SCULPTURE (263)

THE DESIGN PRIZE (67)

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