OMA / shohei shigematsu’s galleries + studio at denver art museum

OMA / shohei shigematsu design three new rooms for DAM

OMA / shohei shigematsu have designed 1,068 sqm (11,500 sqft) of new and renovated galleries and a hands-on studio for the denver art museum (DAM). the project is part of a major campus development initiative that is now complete and open to the public. you can discover OMA’s newly designed spaces within the original footprint of the gio ponti-designed martin building, where the museum’s architecture and design collection is found.

all images © james florio

DAM’s overall renovation project, led by machado silvetti and fentress architects, involved horizontally bisecting the museum’s original stanton gallery on level 1 to make room for new galleries. OMA partner shohei shigematsu and associate christy cheng took part in that initiative by designing two exhibitions, the amanda j. precourt design galleries, the joanne posner mayer gallery, and the ellen bruss design studio. the latter is an interactive space where visitors can explore design ‘as a process’ by engaging directly with objects/ materials and creating new works.

the 1,900 sq. ft mezzanine gallery with its mirrored ceiling surfaces

injecting references to gio ponti’s designs

rotated to the original grid of denver, the gio ponti martin building is a product of an urban condition — and OMA’s three new rooms amplify ponti’s intention. the interactive studio, the piazza-like design gallery, and the topographic mezzanine gallery act as distinct yet interconnected zones to stimulate ‘urban’ activity within the museum, similar to the experience of walking through city blocks. shigematsu notes that ‘it was an exciting exercise, designing within the historic gio ponti building and drawing from his extensive, multi-faceted body of work. much like his design philosophy, the role of design seems to grow and diversify exponentially’.

re-aggregation of platforms allows the space to be transformed at will

‘a direct consequence of design ubiquity is accessibility and literacy, and we wanted the galleries to react to these changes. the three spaces pose new ways of seeing as well as interacting with objects and materials—they present different spatial and programmatic identities but work collectively as a platform for shifting the discourse beyond mere consumption of design, by incorporating movement, odd perspectives, and intimacy’, further explains shigematsu.

a modular and flexible catalog of platforms facilitate the inherent diversity of displayed objects

the 720 sqm (7,750 sqft) design gallery follows a logic of spatial typologies. an open, central ‘piazza’ is surrounded by perimeter spaces organized in an alternating sequence of rooms and islands. within each room, viewers are encircled by displayed objects propped up centrally on islands and piers — allowing views from multiple vantage points. additionally, a modular and flexible catalog of platforms facilitates the inherent diversity of types, sizes, and mediums of design objects on display. the gallery can also be efficiently rotated between different exhibitions through re-aggregation of platforms, enabling a permanent exhibition space to be transformed at will.

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the ellen bruss design studio is an interactive hub to explore design as a process

on the other hand, the 176.5 sqm (1,900 sqft) mezzanine gallery draws from ponti’s use of floating abstract planes to zone the gallery and curation. display structures, platforms, and signage are reminiscent of shifted volumes in ponti’s work. objects are raised and lowered to different heights within logical boundaries, creating layers of perspectives. on the ceiling, mirrored surfaces add another layer of horizontal planes that reflect moments of the installation and the people walking through it.

the ellen bruss design studio includes a library and workshop space among other programs

finally, the design studio responds to new ways of absorbing information and contextualizes artworks on view through hands-on experiences. a series of hinged walls can be deployed into fluid configurations for various programs such as a library, lounge, workshops, presentations, and other community-oriented activities. workshop walls employ ponti’s compositional techniques, such as partial planes, to organize and put a spotlight on various displays and activities.

view of the modular exhibition platforms