![peter-marino-art-foundation-collection-designboom-07a](https://static.designboom.com/wp-content/uploads/2022/07/peter-marino-art-foundation-collection-designboom-07a-1.jpg)
(left top) Vik Muniz, Memory of Oceania, After Matisse, Surfaces, 2020
(left bottom) Vik Muniz, Red Rock Falls, After Milton Avery, 2019
(center) Vik Muniz, Museum of Modern Art (The Red Studio After Henri Matisse), 2020
image © Jason Schmidt
![peter-marino-art-foundation-collection-designboom-05a](https://static.designboom.com/wp-content/uploads/2022/07/peter-marino-art-foundation-collection-designboom-05a.jpg)
(left) Anselm Kiefer, Des Meeres und der Liebe Wellen, 2017
(center) Anselm Kiefer, Das Rote Meer, 2004, over Peter Marino bronze box
(right) Anselm Kiefer, Kain and Abel, 2006
image © Jason Schmidt
KEEP UP WITH OUR DAILY AND WEEKLY NEWSLETTERS
PRODUCT LIBRARY
in less than a year, what started as a personal artistic project quickly grew into show-stopping collaborations for physical iterations in cities like jeddah and miami.
the honesty bar installation presents knötti, an alcohol-free drink made from local waters, german hops, and invasive japanese knotweed.
connections: +390
the staircase is inclined at a 5-degree angle — enough to be noticeable but not immediately obvious, creating a sense of doubt.
andrés reisinger brings his billowing pink 'take over' installation to hourglass cosmetics' new york city popup.
connections: +1240