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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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I see a woman crying (the weeping woman) video © rineke dijkstra, 2009 installation image © designboom
I see a woman crying (the weeping woman) video © rineke dijkstra, 2009 installation image © designboom
I see a woman crying (the weeping woman) video still © rineke dijkstra, 2009 courtesy the artist and stedelijk museumin this three-part work, rineke dijkstra introduces the spoken word into her work for the first time. to film the scene, she used three cameras on tripods. the children are looking at a reproduction of the painting attached to the middle tripod, hence, none of the youngsters looks straight into the lens. unlike a conventional portrait in which the subject looks at the camera, they are engaged with each other, visually disconnected from the viewer. dijkstra’s non-confrontational approach and restrained formal aesthetic allows us to observe the nuances of her subjects’ attitudes and behavior.
I see a woman crying (the weeping woman) video © rineke dijkstra, 2009 installation image © designboom
‘ruth drawing picasso’, 2009 1 channel HD video 6 minutes and 36 seconds loop (6’36) © rineke dijkstra courtesy the artist and stedelijk museum