
thousands of seashells make up the delicate textural sculptures of rowan mersh
while each work is expansive in scale, a closer inspection reveals an intricate refinement, expressing thousands of individual shells.
prefer designboom on googleat london’s gallery FUMI, rowan mersh presents his material explorations manifested as sculptural, wall-mounted assemblages. the artist’s textile investigations bridge the realms of art, design, and fashion, using hard construction to achieve a soft aesthetic. while each work is expansive in scale, a closer inspection reveals a high degree of intricate refinement, expressing the thousands of meticulously hand-rendered individual parts. the labor-intensive process involves the use of responsibly-sourced materials, including windowpane oyster shell discs, dentalium shells, and turritella seashells.

‘asabikeshiinh’ (dreamcatcher), sliced turritella shells, fluorocarbon
all images courtesy of gallery FUMI
a reflection on the native american dreamcatcher, rowan mersh’s latest free hanging installation entitled ‘asabikeshiinh’ is created from the cross-sections of nearly five thousand turritella seashells. presented at gallery FUMI, the cone shaped shells are first sliced, ground, shaped and polished by hand to reveal their lace-like central cavities. the shells are then bound together with fluorocarbon, as each shell informes the shape, size, and position of the next. the sculpture evolves much like a web is spun, grown from central point, spiraling outwards to the sculpture’s boundaries.

‘asabikeshiinh’ (dreamcatcher), sliced turritella shells, fluorocarbon
the term asabikeshiinh originates from the native american ojibwe word for ‘spider’. the origins of the dreamcatcher are widely believed to have derived from an ancient legend within ojibwe culture; elders speak of the spider woman, known as asibikaashi whom watched over the children of the land. as the ojibwe nation spread to all corners of north america it became difficult for asibikaashi to reach all of the children. so, asibikaashi directed mothers and grandmothers to weave magical webs for the people from various sacred natural materials. the dreamcatchers would filter out all bad dreams and allow only good thoughts to enter their mind.

‘asabikeshiinh’ (dreamcatcher), sliced turritella shells, fluorocarbon

‘echinothrix imaginem sui,’ tiger sea urchin spines, 2017

‘echinothrix imaginem sui,’ tiger sea urchin spines, 2017

‘placuna pro dilectione mia II,’ windowpane oyster shells, 2018

‘placuna pro dilectione mia II,’ windowpane oyster shells, 2018

‘placuna pro dilectione mia II,’ windowpane oyster shells, 2018
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