'sensing nature' at mori art museum
'sensing nature' at mori art museum
jul 21, 2010

'sensing nature' at mori art museum

sensing nature: tokujin yoshioka, takashi kuribayashi, taro shinoda mori art museum, roppongi hills, tokyo july 24th to november 7th, 2010

the mori art museum presents ‘sensing nature’ an exhibition which proposes ideas for reconsidering japan’s sense of nature, fitting into the institution’s theme for 2010, ‘redefining japan’.

japan has always had a close relationship with nature. in this exhibition, examples of contemporary art and design are examined, exploring the sensibility and collective cultural memory of the japanese people. on this occasion three of japan’s most interesting creators: artist / designer tokujin yoshioka, and artists taro shinoda and takashi kuribayashi take full advantage of the mori art museum’s six-meter high ceilings and expansive galleries showcasing large-scale installations within the space. the work of each incorporates reminders of natural phenomena and the relationship between humans and nature. each of their approaches reduce nature to an abstraction, resembling the traditional japanese idea that nature should be felt, rather than rationalized. the installations of this exhibition awaken within them, the traditional, direct sensory approach of our natural surroundings.

‘snow’ by tokujin yoshioka being installed image courtesy of tokujin yoshioka

for his contribution to ‘sensing nature’ tokujin yoshioka continues to create spatial designs made from artificial materials, giving the viewer the sensation of experiencing light, snow, storms and other phenomena.

in a huge space of 15m in width, fine feathers are blown up by wind and shower down as if real snow does. the scene of hundres of kilograms of light feathers being blown all over and falling down slowly, reminds one of the snow scape of our memories and expresses the beauty of nature which exceeds our imagination. currently exploring the potential future of design and how it will incorporate natural principles and effects, integrating natural science technologies, yoshioka’s ‘snow’ (2010) is similar to looking at or walking through a snowstorm. it is an expanded version of the original ‘snow’ which was exhibited in 1997.

'sensing nature' at mori art museum simulation of ‘snow’, 2010 image courtesy of nacasa & partners inc.

'sensing nature' at mori art museum simulation of ‘snow’, 2010 image courtesy tokujin yoshioka

'sensing nature' at mori art museum tokujin yoshioka drawing for ‘snow’, 2010 image courtesy of mori art museum

'sensing nature' at mori art museum takashi kuribayashi drawing for new work, 2010 image courtesy of mori art museum

artist takashi kuribayashi is interested in spaces where a line or some kind of border or series of layers divides the world into different zones. for this exhibition, he exhibits a forest constructed from paper plants, along with a new work – which has been developed out of his previous project ‘islands’- that presents an installation of large mounds of earth piled in the gallery to form a map of the world. by shifting the viewer’s perspective, he makes it possible to experience a completely different sense of scale and viewpoint.

'sensing nature' at mori art museum takashi kuribayashi ‘sumpf land’, 2008 mixed media 249 x 569 x 415 cm production image: towada art center, 2008 photo: kazumi nakajima

'sensing nature' at mori art museum takashi kuribayashi ‘seehund hiroshima’, 2004 neoprene, mixed media 1462 x 1411 x 680 cm installation: ‘adventure / at of the museum, ‘hiroshima city’ museum of contemporary art, 2004

'sensing nature' at mori art museum taro shinoda drawing for new work, 2010 image courtesy of mori art museum

taro shinoda, who originally studied japanese landscape gardening, exhibits a trilogy of video works called ‘reverberation’ alongside a new version of his ‘model of oblivion’. the works on show examine the relationship between natural and human environments, juxtaposing, for example, urban landscapes such as a parking lot and a garbage disposal plant, with footage of animals in a zoo.  another video shows a modern expressway and an edo period canal. in addition, shinoda presents a new work which is influenced by the eastern garden of kyoto’s tofukuji temple, which was designed by shigemori mirei in the showa period. with ripples resonating outwards over a doughnut-shaped pool, the piece is mean to be a representation of the earth’s atmosphere.

'sensing nature' at mori art museum taro shindoda ‘reverberation’, 2010 video still (11 min) image courtesy of mori art museum

  • beautiful. especially the concept drawing by Mr. Yoshioka

    narathewanderer says:

have something to add? share your thoughts in our comments section below.
all comments are reviewed for the purposes of moderation before publishing.

comments policy
designboom's comment policy guidelines
generally speaking, if we publish something, it's because we're genuinely interested in the subject. we hope you'll share this interest and if you know even more about it, please share! our goal in the discussion threads is to have good conversation and we prefer constructive opinions. we and our readers have fun with entertaining ones. designboom welcomes alerts about typos, incorrect names, and the like.
the correction is at the discretion of the post editor and may not happen immediately.

what if you disagree with what we or another commenter has to say?
let's hear it! but please understand that offensive, inappropriate, or just plain annoying comments may be deleted or shortened.

- please do not make racist, sexist, anti-semitic, homophobic or otherwise offensive comments.
- please don't personally insult the writers or your fellow commenters.
- please avoid using offensive words, replacing a few letters with asterisks is not a valid workaround.
- please don't include your website or e-mail address in your comments for the purpose of self-promotion.
- please respect jury verdicts and do not discuss offensively on the competition results
(there is only one fist prize, and designboom usually asks renown professionals to help us to promote talent.
in addition to the awarded designs, we do feel that almost all deserve our attention, that is why we publish
the best 100-200 entries too.)

a link is allowed in comments as long as they add value in the form of information, images, humor, etc. (links to the front page of your personal blog or website are not okay). unwelcome links (to commercial products or services of others, offensive material etc. ) will be redacted. and, ... yes, spam gets banned. no, we do not post fake comments.


a diverse digital database that acts as a valuable guide in gaining insight and information about a product directly from the manufacturer, and serves as a rich reference point in developing a project or scheme.

art news

keep up with our daily and weekly stories
504,284 subscribers
- see sample
- see sample
designboom magazine