sonic water liquid soundscapes by sven meyer + kim porksen
‘sonic water’ by sven meyer + kim porksen
sven meyer + kim porksen – sonic waterolympus OM-D: photography playground, berlinapril 26th – may 24th, 2013
the fascination of ‘sonic water’ by media artists sven meyer & kim pörksen, is rooted in their ability to aesthetically express soundas a visual experience. the installation produces constantly transforming images – which react when a user adds content to the liquid mix. water in small containers act as flexible three-dimensional sculptures that translate sounds into kinetic imagery. through the use of light and speakers, the water tanks produce wave patterns depending on different audible frequencies, reflecting on the process of changing chaos and order. by following the law of the golden section – the liquid soundscapes react like forces of nature, reproducing identical vibrational patterns found in the tones of the solar system.
‘sonic water’video courtesy elfenmaschine
the liquid soundscapes react like the forces of nature, reproducing identical vibrational patterns found in the tones of the solar system.
water in small containers act as a flexible three-dimensional sculptures that translate sounds into kinetic images
the water tanks produce wave patterns depending on the audible frequencies, reflecting on the process of changing chaos and order
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Greetings,
I would like to know what kind of Projector you used in the Demonstration at the Olympus OM-D Expo in Berlin this May. Could you please write and let us in on that detail?
Mark Walter Evans
This is a visualization of the resonance and harmonics of water in the confine container. Also water tension factors into
this as you can see when the amplitude overcomes the tension it ‘snap’s into a more complex waveshape realted to the resonant harmonic.
Quote, “by following the law of the golden section – the liquid soundscapes react like forces of nature, reproducing identical
vibrational patterns found in the tones of the solar system.”
Nonsense.
Is this the 17th century? Tones in the Solar System? Good grief.
And I don’t see how the golden section has anything to do with Chladni patterns.