thomas demand: paper and cardboard sculptures
thomas demand: paper and cardboard sculptures thomas demand: paper and cardboard sculptures
oct 07, 2009

thomas demand: paper and cardboard sculptures

thomas demand, büro, 1995 © thomas demand, VG bild-kunst, bon

thomas demand at neue nationalgalerie berlin 18. september 2009 – 17. january 2010

this extensive solo show is taken up by one of the most important themes in the artist’s richly diverse body of work: germany. the 40 or so works on display deal with social and historical events that have taken place in germany, predominantly since 1945. it is no coincidence therefore that the exhibition also coincides with the anniversaries of two pivotal historical events in german history: the foundation of the federal republic of germany 60 years ago and the fall of the berlin wall 20 years ago. thomas demand’s art transcends the generic constraints of the photographic medium.

thomas demand, klause 1, 2006 © thomas demand, VG bild-kunst, bonn 2009

the artist (born in munich in 1962) often culls his subjects from reports in the mass media, using them as the starting point to create expansive sculptures out of paper and cardboard which transpose the two-dimensional original into three-dimensional form. the artist then photographs these spatial (re)constructions made out of paper with a large format camera, before ultimately destroying them. direct human activity, finer details and figures captured on film are not transferred from the original photographs into the life-size sculptures. what remains are phantom images of ‘crime scenes’ of missing events which often appear just as familiar to us as they are impalpable. accompanying the works in the exhibition are picture commentaries by botho strauß, created especially for the show which,rather than trying to give straightforward explanations of the works, open them up to new ways of interpretation as textual pieces in their own right.

thomas demand, raum 1994 © thomas demand, VG bild-kunst, bonn 2009

the exhibition is accompanied by a publication and an extensive, weekly series of lectures entitled ‘how german is it?’. each week, artists, politicians, scientists, film-makers, authors, sociologists, leaders of business and economists from both home and abroad give a talk on aspects of german culture, society and history, using one of the works on display as their starting point. the exhibition has been made possible by the verein der freunde der national galerie and is sponsored by E.ON.

  • how long did it take to place the paper sheets so perfectly harmonizing with each other?

    LarSo says:

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