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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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‘let’s be honest, the weather helped (iraq),’ 1984-2007 from the atlas group archival color inkjet print, 19 x 29 x 1 3/4 in one of a series of 17 prints
‘scratching on things I could disavow’ plate 1 (2,3,4), 1989 four archival inkjet prints, each: 44 x 60 in
a still from ‘hostage: the bachar tapes’ (english version), 2000/2002 single channel video and sound, 16 minutes, 20 seconds
‘appendix XVIII: plate 94 a history of donors’ 2009 archival inkjet print, 64 x 51 in