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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2060
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

byrom and his family tested out his ‘letter-box-kites’ at seal beach, california, 2008
auden byrom and aubry mintz flying ‘letter-box-kites’, seal beach, california, 2008
andrew, victoria and auden byrom with ‘letter-box-kites’, seal beach, california, april 2008
‘st. julian’, 2010
wall-mounted, 0.25” steel
detail
‘st. julian’ poster
‘st. julian’ typeface (full set)
‘byrom TSS’, 2007 temporary signage system (open)
temporary signage system (MDF)
pops up from small bag using the same principle as a modern dome tent
early TSS prototype
temporary signage system (full set)
byrom’s ‘venetian’ typeface translated into three dimensional blinds
‘style’
‘venetian’ typeface (full set)
applications of ‘venetian’ typeface (closed, regular, open)
portrait of auden, andrew and louis in the office, long beach, july 2008