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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

three tiered version of the ‘tuile de cristal chandelier’ image © designboom
detail of how the crystal tile elements are layered over one anotherimage © designboom
arik levy with the baccarat team going over some of the final design detailsimage © designboom
the individual elements are hung onto a wire frame allowing the owner to engage in the process of building up the chandelierimage © designboom
a single ‘frozen’ crystal tile element image © designboom
‘picadilly’ tileimage © designboom
the metal frame in which the tiles are hung are available in varying dimensionsimage © designboom
image © designboom
arik levy inspecting his lighting design at the baccarat manufacturing headquartersimage © designboom
base element of the chandelierimage © designboom
image © designboom
image © designboom
the individual pieces are hand moldedimage © designboom
drawing which indicates the cuts made into the crystal for ‘picadilly’ (above) and ‘frozen’ (below)image courtesy of baccarat
baccarat headquarters (manufacture in the background / middle) image © designboom