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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

stationary for the rumpus room
web-design
‘ten principles wall’ of the dieter rams retrospective exhibition
hand-painted super graphic expressing the rationaliation of product interface photograph by luke hayes and thomas brown
general exhibition view photograph by luke hayes and thomas brown
exhibition & environment for the D&AD (design and art directors association)
general view of the videos installed in camden roundhouse photography by marcus ginns and noah da costa
exterior of the camden roundhouse with typographic photography by marcus ginns and noah da costa
poster designed for 72: otl aicher a self-initiated exhibition of bibliothèque’s extensive collection of posters and print designed for the 1972 olympics in munich