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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

the design intention was not to shut out the light, but create an interaction with it
the natural curved lines of the yew planks were mapped like a puzzle to create six pairs of shutters each with their own character
cracks in the shutters slice the light offering glimpses into the outside world
each shutter celebrates the material from which it is made all interacting with light in a different way
the holes of the knots were positioned as grips for opening and closing
the shutters bring to the forefront a forgotten building element that was once a common fixture in many homes of the past
the ‘slow white shutters’ reference the dutch designer’s ‘slow white’ furniture collection
fully open