
maria cristina didero curates armory show design satellite project with arab dolls
the installation by carlo massoud, highlights the narrow and limiting ways in which we choose to understand and discuss the veil, and what it suggests about muslim or arab women in general.
maria cristina didero curates the armory show design satellite project with arab dolls
all images courtesy of carwan gallery
carlo massoud‘s ‘arab dolls’ installation was born out of an early childhood friendship he had with four schoolmates, while growing up in lebanon. these girls were muslim, but neither of them wore a veil. with this memory, the lebanese designer created maya, zeina, racha and yara, which evolved into a limited edition collection of sixty hollow wooden dolls, rising from the ground in fifteen symmetrical rows that challenge our traditional understanding of the female garment.

‘arab dolls’ is comprised of 60 hollow wooden dolls
upon first approach, the ‘arab dolls’ appear as sleek sculptures in a sea of familiar black. however, a smaller series of white dolls interspersed among them are coated with gold leaf from within, disrupting the uniformity that is often associated with the veil. in its purest form, the head covering is meant to represent modesty, and has long been misconstrued and used to misrepresent muslim and arab women. particularly in western media, the veil has come to symbolize or justify assumptions about gender roles in the region.

the ‘arab dolls’ stand to challenge our notions of the veil
each of massoud’s figures adapt the concept of covering and concealing to a new function, material and scale. from within, the ‘arab dolls’ express a sense of discretion and mystery, while still asserting individuality in their regimented presentation. collectively, the dolls, like arab women stand bold and beautiful, strong and soft, expressing the emotions associated with a bullet or a thimble. carlo massoud’s ‘arab dolls’ highlight the narrow and limiting ways in which we choose to understand and discuss the veil, and what it suggests about muslim or arab women in general. the installation makes a statement about how we understand the function of objects in the arab world and their role in sparking debate, while paying tribute to the beauty that lies beneath the surface and challenging preconceived notions of gender roles within arab society.

among the sleek black sea of dolls are several smaller white figures
‘arab dolls’ was presented at the armory show satellite design exhibition whose focus this year was the middle east. curated by maria cristina didero, the show was made possible by the non-profit organization house of today, an international platform for lebanese design talent. 

the dolls evoke emotions associated with a bullet or a thimble

the ‘arab dolls’

maya, zeina, racha and yara


the ‘arab dolls’ on show at the armory show satellite design exhibition curated by maria cristina didero

didero selected carlo massoud’s ‘arab dolls’ to respond to the show’s theme — the middle east

detail of the ‘arab dolls’

second edition of ‘arab dolls’ now rendered in pure brass and gold
UPDATE: after the great success of the first ‘arab dolls’ series at the armory show in new york, carwan gallery presents a new edition in pure brass and gold. the series is on show at the skoufa gallery in mykonos, greece until august 20th, 2015.

the brass and gold ‘arab dolls’ are on show at skoufa gallery in mykonos until august 20th, 2015
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