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running until july 26th, 2026, the show marks the first time wes anderson’s archives have been publicly displayed in the UK.
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the spiral structure follows principles of fluid dynamics and thermodynamics to optimize heat distribution.
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the design centers around a sculptural turntable topped with thirty-nine individual wooden tiles that flip and shift in real time as music plays.
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the '6 pound phone case' is inspired by the rectangular brick phones of the 1980s.
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‘santo libre’ by cristophe de la fontaine, a leather armchair powder-coated steel base, leather seat 760mm x 740mm x 400mm
‘parquet cubique’ by benjamin hopf, a cubic side table on wheels ceramic tiles in black, rose and yellow 400mm x 400mm
left: ‘gentle ones’ by benjamin hopf, a vase couple, aluminum with gloss coat in black and white, ‘tall and gentle’: 360mm diameter x 300mm, ‘small and gentle’: 340mm diameter x 150mm right: the decorative hatchet
‘and so on’ by christophe de la fontaine, a modular furnishing system comprised of a shelf, sideboard, and side table beech wood supports, rose glass panels in black and natural wood square: 700mm x 700mm small rectangle: 300mm x 700mm large rectangle: 300mm x 964mm
‘shining’ by christophe de la fontaine, a candle for wall and table versions ceramics, steel, mirror finished in white, rose, salvia and light grey, mirror, powder-coated steel structure in anthracite table: 183mm x 400 mm x 133mm wall: 183mm x 285mm x 170mm