
david adjaye circles out double zero chair for moroso
the design encompasses the basic principles of body support both visually and structurally, and is characterized by a framing system that supports each chair without the input of traditional legs.
david adjaye circles out double zero chair for moroso
photo by alessandro paderni / courtesy of moroso
in conceiving the ‘double zero’ range of seating for moroso, david adjaye wanted to create a design that really encompassed the basic principles of body support both visually and structurally. at its core, ‘double zero’ is characterized by a framing system that supports each chair without the input of traditional legs. rather, two circular elements — the seat and the back — that are enclosed by a series of metal hoops that produce a very strong iconic image of the seat from all angles, and which make the ‘double zero’ seem as if it is suspended in mind air.

the ‘double zero’ is defined by two circular elements supported by a series of metal hoops
photo by alessandro paderni / courtesy of moroso

two-seater version of ‘double zero’
photo by alessandro paderni / courtesy of moroso

from all angles the ‘double zero’ expresses strong lines
photo by alessandro paderni / courtesy of moroso

the chair comes upholstered in a variety of fabrics including leather
photo by alessandro paderni / courtesy of moroso

back view
photo by alessandro paderni / courtesy of moroso
arm chair version
photo by alessandro paderni / courtesy of moroso

photo by alessandro paderni / courtesy of moroso

photo by alessandro paderni / courtesy of moroso

bar stool version
photo by alessandro paderni / courtesy of moroso

the ‘double zero’ chair by david adjaye at the moroso stand during milan design week 2015 where it debuted
image © designboom
david adjaye on the conceptual design of ‘double zero’
video courtesy of moroso
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