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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2060
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘guangzhou opera house‘ by zaha hadid, guangdong province, china image ©
‘maggie’s gartnavel’ by OMA, glasgow, scotland image courtesy of OMA; photography by philippe ruault
‘london 2012 olympic velodrome’ by hopkins architects in london, england all images courtesy hopkins architects photographer: richard davies
‘spaceport america’ by foster + partners in new mexico, USA image courtesy of foster + parners
homeplus tesco virtual store, seoul, south korea
chassis’ by stefan diez for wilkhahn image courtesy of wilkhahn
‘hemp chair’ by werner aisslinger
‘lightwood’ by jasper morrison image copyright maruni wood industry inc. photo by yoneo kawabe
‘textile field’ by ronan + erwan bouroullec for kvadrat all photos © studio bouroullec and V&A images, victoria and albert museum
‘tip ton’ chair by barberosgerby for vitra photo by nexus productions
‘the comedy carpet’ by gordon young image courtesy of the blackpool council
the three weights of the nokia pure font typeface
‘ascent’ by edward barber and jay osgerby image courtesy of haunch of venison / barberosgerby
‘PQ eyewear collection’ by ron arad image courtesy of PQ eyewear
‘botanica’ by formafantasma all images ©
‘heracleum’ by bertjan pot for moooi image © designboom
‘hövding airbag helmet’ for bicyclists by hövding
‘jambox’ by fuseproject for jawbone
‘totem’ by bethan laura wood in collaboration with pietro viero image © ruy teixeira