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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450
all images courtesy of dimitri bähler
thanks to a special blend of metallic salts and clay, and a special firing, iridescent and chromatic effects are created
monoliths are vertical and horizontal ceramic architectones
the volumes are based on two common human postures: standing and sitting
the stoneware has been applied with a cloud of very dry glaze in a single direction
his VPTC project was the result of a residency at
the pieces are a range of different volumes with soft and round shapes that have received a pattern transfer
the single-molded objects are balanced with an essential abstraction
the production is based on machined wooden profiles that always use the same tool, only their height and length changing
simple and graphic objects, UU exists in three dimensions that invite the user to play with it
the carved chair is a homage to swiss traditional wood carving techniques, created in collaboration with linn kandel for the
the carved chair‘s different textures represent fur, feathers or plants