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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘stretch by elsa lambinet (france) is an elongated version of the glass, like a metaphor of this shape that has not changed for 170 years.
‘flat’ by romain lagrange, two lacquer pieces turning the harcourt glasses into trays.
‘hats’ by sophie depéry (france) is a series of headgear turning the harcourt glasses into vases, bowls and candleholders.
‘hats’ by sophie depéry
left: ‘bear’ by guillaume sasseville (canada) is a hunting trophy made from cut paper and 470 crystal darts right: ‘slice’ by daniel martinez is a collection of bracelets in lacquer and silver based on horizontal slices in the shape of the harcourt glass
‘play’ by decha archjananun (thailand) is a set of cup and ball games made from modified harcourt glasses.
‘play’ by decha archjananun