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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

image courtesy of paradigma design gallery
the mannequin ready to be hoisted up above the trapezoidal form made of perforated metal
the appearance of the chair after the 100 kg concrete filled mannequin has been dropped on top of the trapezoidal form
alternative views of the dropped mannequin
before and after
‘free falling’ (white), 2011 on show at paradigma design gallery in tel aviv, israel image © designboom
side view of ‘free falling’ (white) image © designboom
top view image © designboom