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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2060
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +440

the red swaroski embossed upholstery sit on a black oak floor and allow for intimate cafe-theater seating or traditional rows image courtesy mar hernández
the sparse clean main stage hides panels from viewers allowing it expand. image © rafael vargas
led lighting panels create a backlight through the walls and railing that change with the performance on stage image © rafael vargas
located in the third floor and independent of the main hall, the golden bar looks out over the audience image © rafael vargas
demonstration of dynamic led fixtures image © rafael vargas
another demonstration of the mood lighting possible with the led laced facades image © rafael vargas
entry to main hall image © rafael vargas
image © rafael vargas
facade outside the theater night and day, still retaining the original windmill image © eva serrats