PRODUCT LIBRARY
the collection was presented in a space inspired by the barcelona pavilion, a building designed in 1929 by mies van der rohe + lily reich.
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the aim of le témoin was, as with many of the artist’s works, to adapt a surrealist object to everyday use.
connections: +1370
a transparent panel on the floor of the office furthers the connection to the outdoors.
The Bauhaus comes to mind.
absolutely brilliant – hard to believe its not been done before this
Cute but they’d be a lot more interesting if the two-dimensional letter were turned into three via one rotation. In two you need to see the piece in the right perspective to recognize it; in three you’d know from any angle.