hideki inaba at kuala lumpur design week 2010
 
hideki inaba at kuala lumpur design week 2010 hideki inaba at kuala lumpur design week 2010
may 27, 2010

hideki inaba at kuala lumpur design week 2010

‘untitled’, 2004 image © hideki inaba

the self-taught tokyo-based designer and graphic artist hideki inaba gave a presentation at the kuala lumpur conference, during the local design week 2010.

‘BTB24 mutsuki’, 2007 image © hideki inaba

the delicate quality of hideki inaba’s work from his exhibition cannot be achieved unless the combination of ink, printer and even paper quality is just right.

‘BTB24 hazuki’, 2007 image © hideki inaba

at first he was not so picky, he was used to working on the computer, viewing the images on the monitor. now the transformation from monitor to paper is crucial for hideki inaba. if the original art is data, you can make as many prints you like, but what you print is never an original, unless the act of printing becomes an artwork itself. not unlike the historical japanese ukiyo-e school of printmaking which depended on the good relationships among painter, woodblock carver, printer and paper maker.

 

‘BTB24’ shu uemura make up box, 2007 image © hideki inaba, shu uemura

in 2007, hideki inaba starts to collaborate with japanese cosmetic brand shu uemura. this is shu uemura 24th birthday box, decorated with artwork by hideki  – it has been a limited edition.

BTB24 graphics for the cosmetic brand shu uemura’s omotesando boutique window display, slide showcased at kuala lumpur design week 2010

 

‘relax’, 2004 image © hideki inaba

 

during his presentation, hideki inaba enchanted us all with his complex line drawings, but despite numerous questions from malaysian students – about how he creates them – he’s keeping his trade secret close to heart. he only admits that it takes a very long time to create these images.

 

‘relax’ 2004, print line version 2008 image © hideki inaba

‘burst helvetica 2′ 9010 exhibition, 2010 image © hideki inaba

‘burst helvetica 2’, 2010 image © hideki inaba

‘burst helvetica 2’, 2010 image © hideki inaba

‘printer’ 9010 exhibition, 2010 image © hideki inaba see more info (in japanese)

his NEWLINE exhibition in 2004 marked a transition from presence to motion. the fluid manner of his planar typography added the axis of time and motion to two-dimensional text. while the illusion of motion was well within the tradition of op art, the patterns’movements perhaps suggest a new, digital species of kinetic art.

‘burst helvetica’, 2004 slide showcased at kuala lumpur design week 2010

how do you work with the roman alphabet? ‘I ask my assistant or I use the web translation’. I don’t understand english and also don’t know difficult japanese words. I don’t think I’m interested in language much. I recognize both english and japanese as a picture. H.I.

‘untitled’, 2008 image © hideki inaba

 

“untitled”, 2004 image © hideki inaba

hideki also works with japanese online magazine shift on various collaborative projects. see the shift article on hideki’s NEWLINE exhibition.

‘NEWLINE 2’, 2005 image © hideki inaba

dotmov logo by hideki inaba, slide showcased at kuala lumpur design week

hideki inaba portrait © designboom

hideki inaba was born in 1971, he is currently working as one of the leading graphic designers in japan. he never received any proper education in design and studied on his own. while contributing for +81 magazine and SAL magazine, he received a high attention for his innovative work.

 

  • WOW….nice work

    luis arrivillaga says:
  • I was always wondering who did the Shu Uemura graphics.
    GREAT.

    flynn says:
  • crazy, I would like to see it printed.

    Scott says:
  • Is like a dance, feeling the lines! Good Hideki Inaba!

    Giovanni Barrantes says:

have something to add? share your thoughts in our comments section below.
all comments are reviewed for the purposes of moderation before publishing.

comments policy
LOG IN
designboom's comment policy guidelines
generally speaking, if we publish something, it's because we're genuinely interested in the subject. we hope you'll share this interest and if you know even more about it, please share! our goal in the discussion threads is to have good conversation and we prefer constructive opinions. we and our readers have fun with entertaining ones. designboom welcomes alerts about typos, incorrect names, and the like.
the correction is at the discretion of the post editor and may not happen immediately.

what if you disagree with what we or another commenter has to say?
let's hear it! but please understand that offensive, inappropriate, or just plain annoying comments may be deleted or shortened.

- please do not make racist, sexist, anti-semitic, homophobic or otherwise offensive comments.
- please don't personally insult the writers or your fellow commenters.
- please avoid using offensive words, replacing a few letters with asterisks is not a valid workaround.
- please don't include your website or e-mail address in your comments for the purpose of self-promotion.
- please respect jury verdicts and do not discuss offensively on the competition results
(there is only one fist prize, and designboom usually asks renown professionals to help us to promote talent.
in addition to the awarded designs, we do feel that almost all deserve our attention, that is why we publish
the best 100-200 entries too.)

a link is allowed in comments as long as they add value in the form of information, images, humor, etc. (links to the front page of your personal blog or website are not okay). unwelcome links (to commercial products or services of others, offensive material etc. ) will be redacted. and, ... yes, spam gets banned. no, we do not post fake comments.

PRODUCT LIBRARY

a diverse digital database that acts as a valuable guide in gaining insight and information about a product directly from the manufacturer, and serves as a rich reference point in developing a project or scheme.

design news

×
keep up with our daily and weekly stories
491,071 subscribers
- see sample
- see sample