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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

at left, the stamped chair, before being bent into shape; to its right, the chairs in their final forms
composed of a single sheet of 2.5mm-thick aluminum, the stackable chair is extremely lightweight
detail view of the chair relief, which adds both structural stability and visual interest image © designboom
the stools at left are created from scrap materials from the chair’s production process image © designboom
detail view of the pressed model before being bent into shape image © designboom
detail view of ‘pressed chair’ from above image © designboom
left: full view of ‘pressed chair’ right: thaler himself demonstrates that despite their light weight, the relief details and structure of the chairs make them sturdy