
noguchi’s bronze sculptures from ‘wakai hito’ (1950) to ‘remembrance’ (1944)

‘woman’ in cast iron, 1956

the room takes the visitor through a selection of abstract metallic structures dating from 1982-84

‘akari’ light installation in bamboo, paper & iron, 1952-86
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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450














