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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘bonheur’ by michele de lucchi, made in polyethylene and metal a floor-lamp for outdoor and indoor use. it has a diffuser made with two polyethylene parts, created by rotomoulding and with a structure in grey painted metal. the dark white colour of the polymer spreads the light softly, creating a contrast with the deep grey of the structure. thought for outside use, the floor-lamp has a spacious base to obtain increased stability.
‘toy’ by christoph pillet, made in polyethylene and tempered glass the cross-over of the structure’s three polyethylene legs creates a harmonious symmetry that is completed by the tempered glass tabletop held in place by three suction pads.
‘boom’ by todd bracher, made in polyurethane resin with lacquered finish
‘kubrick’ by marc sadler, made in polyethylene and wood
‘hug’ by marc sadler base made in polyethylene, cushion expanded polystyrene.