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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘stem herb planter’ by peter pless 
inside the exhibition
seth grizzle and jonathan junker (graypants) hang their scrap lights made out of salvaged pieces of corrugated cardboard 
eames demetrios (grandson of charles and ray eames) and wife shelley mills at the show
‘ceramica’ pots and pans coated in ceramics by italian producer moneta 

washing up bowl flexible rubber bowl designed by ole jensen and produced by normann copenhagen 
sam grawe, editor-in-chief of dwell and birgit lohmann of designboom at the conference