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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

recycled aluminium sandblasted frame with kvadrat upholstered seatimage © designboom
konstantin grcicportrait © designboom


‘parrish’ chair and café tableimage courtesy of emeco
‘parrish’ café table in blackimage courtesy of emeco
‘parrish’ side table in blackimage courtesy of emeco
image courtesy of emeco
the chair is constructed from a simple metal frame and wooden seat panimage courtesy of emeco
the use of local materials in the production of the furniture also matches the aluminium and bare timber employed in the museum’s constructionimage courtesy of emeco
the furniture has been designed to address the specific needs of the museum and its locationimage courtesy of emeco
the ‘parrish collection’ in the museum contextimage courtesy of emeco
image courtesy of emeco
‘parrish collection’ chair by konstantin grcic and produced by emecoimage courtesy of emeco