
konstantin grcic epitomizes archetypal chair in primo collection for mattiazzi
comprised of the most basic elements, grcic has created a strong architectural presence through the strictly vertical orientation of the legs.
munich-based designer konstantin grcic likes to define function in human terms, combining formal strictness with mental acuity and humor. ‘primo’, his latest collection for italian manufacturer mattiazzi, is the perfect example, where he has epitomized the archetypical chair. comprised of only four legs, set and backrest—the most basic elements—grcic has created a strong architectural presence through the strictly vertical orientation of the legs.

primo collection will be presented at the stockholm furniture fair
to break the formal strictness of the primo collection for mattiazzi, konstantin grcic has curved the backrest, resulting in what seems like a levitation on the ends of the chair’s hind legs. ‘when multiplied, the chair conveys an unassuming rationality – making it ideal for a wide variety of uses in the home and contract markets (dining, working, auditorium seating, waiting, and the like),’ says grcic.

made of solid beech, the collection features a chair, a stool and a table
made of solid beech, the collection features a chair, a stool and a table, and three different finishes: black lacquer – bringing out the chair’s strong and elegant silhouette; gold – celebrating itself as an icon; and solid oak with an upholstered leather seat. all chairs are stackable and the table has detachable legs, allowing space-saving in ecological shipment.

comprised of only four legs, set and backrest—the most basic elements

the curved backrest seems as if it’s floating

primo stool

the one with solid oak finishes comes with an upholstered leather seat

a strong architectural presence is derived from the strictly vertical orientation of the legs

black lacquer – bringing out the chair’s strong and elegant silhouette

gold – celebrating itself as an icon

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