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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘T-cane’, ‘U-cane’ and ‘I-cane’
‘T-cane’
demonstrating the use of ‘I-cane’ and ‘U-cane’
the ‘together canes’ collection
‘assunta chair’ with yellow seating attachments and without
showing the course of action of getting up from the ‘assunta chair’
‘assunta chair’
detail of the chair’s handle
‘monolight’ in landscape and portrait models
the lamp can be angled according to the user’s preference thanks to the dodecagonal base
‘monolight’ in use
threading a needle with the aid of the fresnel lens
‘monolight’ lamps illuminated