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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

the Hermès collection of furniture pieces by philippe nigro were presented in an installation of seven structures which each took on the symbolic shape of a houseimage © designboom
the ‘les nécessaires d’Hermès’ collection was arranged in domestic settings presenting how the furniture pieces could be usedimage © designboom
image © designboom
‘carré d’assise’ low stool and occasional table with the ‘vestiaire’ coat rack and accessory holder on displayimage © designboom
image © designboom
bird’s-eye view of the installationimage © designboom
an interior setting feautures ‘méridienne’ seating by antonio citterio; ‘soleil round coffee table’ by jean-michael frank re-editions by Hermès; and ‘partition’ from the les nécessaires d’Hermès designed by philippe nigro‘quartz’ wallpaper designed by henry d’origny in vapour colorwayimage © designboom
‘coffre à lutrin’–a three-part design with adjustable bookstand, pull-tabs and handles–and ‘carré d’assise’ low stool from the les nécessaires d’Hermès collection by philippe nigro‘pêlê-mêlê’ wallpaper designed by philippe dumas in grey colorwayimage © designboom
lamps whose forms mirrored those which formed the installation illuminated each spaceimage © designboom
general view of the Hermès installation within the circolo filologicophoto by
back viewphoto by
‘groom’, a faithful servant by philippe nigroimage © designboom







