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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

kusama’s ‘obliteration room’ at queensland art gallery
kusama’s ‘infinity mirror room’, a large scale mirrored installation was part of her solo exhibition ‘floor show’ at the castellane gallery, new york, 1965
yayoi kusama
yayoi kusama ‘pumpkin’, 2000 15.8 x 22.7 cm acrylic on canvas