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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450
‘concrete stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘concrete stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘concrete stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘concrete stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘felt stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘felt stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘felt stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘felt stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘felt stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘felt stools’ by max lamb – from the collection ‘solids of revolution’, 2008
‘resilience’ by julia lohmann
‘vendome series’ by kram/weisshaar
‘solids of revolution’ by max lamb
‘terazzo tables’ by martino gamper