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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2060
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +440

installation view of ‘metronome’ at tim van steenbergen’s 2012 summer runway show
van steenbergen’s fashion design influenced the final form of ‘metronome’
left: the original ‘husk’ light which was the departure point for ‘metronome’ right: ‘metronome’
‘metronome’ version where the iconic top piece is ignored and panels are cut right to the top of the shade
up close
cork version
technical specs of ‘metronome’