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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

massoud hassani (dutch, born afghanistan 1983)mine kafon wind-powered deminer, 2011 bamboo and biodegradable plastics 87 x 87 x 87″ (221 x 221 x 221 cm)gift of the contemporary arts council of the museum of modern artphoto by mahmud hassanisee how this dandelion-shaped mine detonator saves lives
dirk vander kooij (dutch, born 1983)endless flow rocking chair, 2011 recycled plastic 31 1/2 x 16 9/16 x 26 3/4″ (80 x 42 x 68 cm)architecture & design purchase fund photo: the museum of modern art, new yorksee how the dutch designer produces each chair using plastic pellets from old refrigerators
mathieu lehanneur (french, born 1974)andrea air purifier, labogroup, paris, 2009acrylic and electronic components12 5/8 x 17 11/16″ (32 x 45 cm)gift of the naufacturerimage courtesy of mathieu lehanneursee how the product responds to dealing with domestic pollution using plants to purifier air flow
tōru iwatani (japanese, born 1955) of namco limited, now NAMCO bandai games inc. pac-man, 1980 gift of NAMCO bandai games inc. image courtesy of NAMCO bandai games inc.
tomáš gabzdil libertíny (slovak, born 1979)the honeycomb vase ‘made by bees’, prototype, 2006beeswax9 x 5 1/2 x 1/2 (22.9 x 14 x 14cm)gift of the aaron and betty lee stern foundationimages courtesy of tomáš gabzdil libertíny
installation view of the exhibition applied design at the museum of modern art, 2013 photo by jason mandella
installation view of the exhibition applied design at the museum of modern art, 2013 photo by jason mandella