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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘apple kendama’ by yasuhiro suzukifounded in 2007 by ryuchi sakamoto, haruomi hosono, yukihiro takahashi, shinichi nakazawa and moichi kuwahara, the group’s main initiative is to promote smart wood consumption around the world and planting more trees. they aim to offset the CO2 emission as well as advance and stimulate the demand of tree thinning.
’emerald bracelet’ by yuuki kumagai
‘clock of wood chips’ by mikiya kobayashi
‘annual ring clock’ by yota kakuda
‘planter -dandan-‘ by yuuki kumagai
‘pinocchio stand’
‘sun light’ by keita shimizu
‘cuckoo clock’ by naoto fukasawa
like a painting – this ‘cutting board’ by jin kuramoto