PRODUCT LIBRARY
the filmmakers have captured an out-of-this-world aerial footage of a reindeer cyclone, where a threatened herd of animals runs in circles around the hunters as a formidable defense strategy.
connections: +190
the collaborative defines their mission as researching, building, and advocating for architecture that promotes justice and human dignity.
the artist has been documenting the festival since 2014, capturing the unexpected driving artwork, as well as the passionate creators.
connections: +810
the exhibition brings together a diverse array of tools, such as planes, chisels and saws, that have played an important role in the development of japanese architecture.
connections: +100
noes' Jun 29, 2011 montani Jun 28, 2011 marcos Jun 26, 2011 JosƩ Jun 26, 2011
more commentsWow!!! … a graveyard! …
The living wear Prada, the dead – just watching.
If this was the point, the clothes would perfectly fit in.
Well, the ghosts don’t feel pain in their backs or necks. Lucky bastirds š
don’t know anything about fashion,
But to me it looks really awesome, with the colours, grid and building. Also the music is great!
we miss the the brief by OMA in this post:
The audience is organized in a perfect field. 600 visitors sit on individual blue foam blocks distributed over a 1.5 x 1.5 meter grid spread through the entire hall. Models flow through the highly-organized audience, following multiple choreographed routes that allow maximum visibility.
The field is a commentary on the audience, transformed from indeterminate crowd to regimented, possibly anxious, isolated individuals. Each guest becomes a challenge for the new fashion; each confrontation becomes highly personalā¦
The field is based on a zero degree approach: a spatial system as opposed to an elaborated design…
Artificial grass covers the floor. Light is provided by 16 panels of 30 PAR lights each, vaguely resembling stadium lighting systems.
The set up refers to the imagery of a geometric outdoors; the audience participates in a perfectly organized picnicā¦
Wow. This absolutely amazing. I have unfortunately not so much knowledge about OMA’s previous usage of the blue foam boxes, but to see this radical approach to a catwalk made me breathless, once, as every time I see a new OMA project I was “Wow, Rem has done it again!”. void’s comment also made me realize one of the further genial aspects of this fantastic project, simple, and brilliant. Fragmenting the audience into the grid is one of those extremely simple gestures that improve the spatial experience and question our traditional perspective of how an audience should be. I simply love it, and I hope that no one but OMA had thought of it before, otherwise it’s an epic fail.