peter marigold: trunk at london design week 2011
 
peter marigold: trunk at london design week 2011 peter marigold: trunk at london design week 2011
sep 20, 2011

peter marigold: trunk at london design week 2011

peter marigold: trunk at london design week 2011

 

 

 

in collaboration with materilise – belgium, british design peter marigold presents a new digitally produced piece entitled ‘trunk’. the piece has been conceived for the exhibition ‘industrial revolution 2’ taking place at the victoria & albert museum during london design week 2011. new york-based gallerist and curator murray moss has curated this exhibition of ‘printed’ works which reference eight of the museum’s key pieces and spaces, and is realized in collaboration with materialise who uses laser and digital technologies applied to what is known as ‘additive manufacturing’ to ‘print’ three dimensional objects.

‘trunk’ by peter marigold

 

 

 

marigold’s ‘trunk’ has been developed whereby a log was laser scanned to record its three dimensional form as data, and then reflected within the computer, creating a mirror image of itself. the result is a perfectly symmetrical three-dimensional form that has been printed and then cast in plaster.

 

 

 

words from designer peter marigold: ‘the object is a continuation of my ‘palindrome series’, in which one side of a piece of furniture is used to create the other. the original series used crude wooden moulds to create casts that gave a semblance and experience of symmetry, but were in actual fact merely related as negative / positive (mould / cast). by incorporating digital processes a truly symmetrical complex form is created, as the data is identical on both sides.

 

I have found recently that many people have become somewhat blasé about the forms that are possible with 3D printing, there is an expectation for them to incorporate impossible stylistic details and we have come to think of them now as quite normal. by taking the original resin printed form back into the studio and casting it in a familiar material, I wanted to strip away this connection with high-technology so as to focus the eye on the form, rather than the process.

 

I am intrigued at the spontaneous way that our minds perceive vertical bi-symmetrical forms as being either animals or humans, this is most famously expressed in the rorschach perception tests in which we might see a rabbit or a smiling face formed from a completely irregular, but symmetrical blob of ink. therefore I intentionally chose to scan a log with several features that our minds easily decode into humanoid elements, such as legs, limbs, buttocks etc. the trunk of a tree becomes the trunk of a body. flora becomes fauna.’

 

see designboom’s coverage of peter marigold’s palindrome series here.

casting process

technical drawing for 3D printing

technical drawing for 3D printing

 

technical drawing for 3D printing

  • I saw the finished product in the V&A yesterday and frankly, was seriously disappointed.

    In this posting the person doing the posting (I assume to be the artist) curates the photographs (and the contained description) and it looks significantly better, but I sorry to say, it is still not great.

    What does not come across in the installed piece in the Sculpture Gallery is the strange feminine qualities of the chosen chunks of timber. In fact I find the hacked at trunk much more engaging than the replicated versions. The grey-ness of the copies completely reduces out the natural, some of the texture and… do you know what, I will stop now.

    dextersdragon says:
  • Interesting Dextersdragon,

    but – how do you make a photograph contain more than an actual object? Unless these photos have been digitally manipulated it would be a bit weird if they ‘did’ something more than what exists? Maybe the lighting is not right at the museum????

    Why were you disappointed? How did you manage to see the photos before you saw the show?

    Chris M says:

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