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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

illustrations from 1962 left (top – bottom): antonio bosch penalva in ‘serenade’ magazine; jordi longaron in ‘serenade’ magazine right: angel badia camps in ‘serenade’ magazine
illustrations from 1964 john lewis ‘woman’s journal’ magazine
illustrations from 1968 caroline smith for ‘intro’ magazine
illustrations from 1963 lynn buckham in ‘woman’s own’ magazine
illustrations from 1966 left (top – bottom / clockwise): uncredited in ‘trend’ magazine; bill whittingham in ‘woman and home’ magazine; mark miller in ‘woman’s own’ magazine right (top – bottom / clockwise): roger coleman in ‘honey’ magazine, top right: andy virgil in ‘woman’ magazine, bottom: brian sanders in ‘woman’ magazine
illustrations from 1967 caroline smith in ‘petticoat’ magazine
cover, coby whitmore