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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

berlin chairs, 1923 image © designboom
child’s chair design, 1918 image © designboom
detail image © designboom
trolley, 1923 image © designboom
trolley, 1923 image © designboom
side table, 1923 image © designboom
sideboard design, 1919 image © designboom
‘the rietveld schröder house’ southwest facade image © designboom
southeast facade image © designboom
southeast facade image © designboom
detail of southeast facade image © designboom
minitiature ‘red blue’ chair by maarten meerman in scale 1:144.
‘steltman chairs’ in left and right-hand versions, with the end table in the middle in scale 1:144.
miniature ‘zigzag’ chair by maarten meerman in scale 1:144.
‘rietveld routes’ take visitors to the most prominent of the architect’s more than 100 buildings in the netherlands via a recently released