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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

wooden mould used to shape and fit the metal panels of the fiat 500 on loan from the fiat archive and museum
roddy giacosa, 2013
detail of roddy giacosa which is formed using hundreds of polished stainless steel rods, shaped to look like a fiat 500
back view details
front view details
pressed flower navy blue, 2013
pressed flower red, 2013
pressed flower yellow, 2013
in the upper gallery alongside ron arad’s major new project is a select presentation of his chair designs, most of which are steel
tinker chair, 1988
wrinkly fish, 1991











