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founded in london by anab jain and jon ardern, the studio turns to hypothetical worlds to build a collective future based on actionable methods.
connections: +440
all these sets are built from the same spirit of colors and perspectives that run through the artist’s paintings, allowing the actors to perform within his artworks.
connections: +810
the musical instruments wear bright colors that make them more alluring to look at, capturing the full form of the shape they’re borrowing.
connections: +220
bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100

the ‘hack’ chair was the first piece designed for this collection and is meant as a token of gratitude to the ‘hacker community’ who have warmly accepted ronen kadushins ‘open design’ design method
‘hack’ chair back you can see the article designboom published ronen kadushin’s project when it was still in the prototype phase
‘flatveld’ was created as a homage to gerrit rietveld’s iconic ‘blue and red chair’ designed in 1917
‘flatveld’ chair
kadushin designed the ‘tel aviv’ chair based on his impressions of the rough-edged city he once lived in
‘tel aviv’ chair back
‘vague’ chair is a carefully executed design that is designed to look unresolved
‘vague’ chair back
the ‘graffiti’ chair is intended to mimic berlin street graffiti
‘graffiti’ chair
the ‘simpleton’ chair was born out of an experiment with ‘functional-extreme geometric-formalism’
‘simpleton’ chair back
kadushin designed this twist hinge allowing for a more exact and structurally sound chair
the collection of six chairs
a techincal drawing shows how the chairs piece together on one sheet of metal before being bent in to a three-dimensional piece