sagmeister & walsh interview and recent work
 
sagmeister & walsh interview and recent work
jun 19, 2012

sagmeister & walsh interview and recent work

identity for ‘stefan sagmeister – the happy show‘ at ICA, april 4 until august 12th, 2012all images courtesy of sagmeister & walsh see designboom’s coverage of the exhibition here

 

designboom spoke to stefan sagmeister and jessica walsh of sagmeister & walsh about their new partnership and that mailer. 

sagmeister & walsh interview and recent work views of ‘the happy show’

 

 

 

designboom: how do you divide the workload?

 

stefan: jessica will be in charge of the more commercial pieces, I will be in charge of the more self-generated ones but there will be plenty of cross over. on most projects one will be in charge and other will comment.

 

jessica: stefan summed it up. generally we will work together on everything,  but there may be a few personal projects where we work more independently.

 

DB: stefan, when did you decide you’d like to make jessica your partner?

 

stefan: it all started with my desire for a fancier studio space. after looking at about 60 offices and finally finding the right one,  it occurred to me that I really did not want to take on the extra overhead that would force us to do more (high paying) commercial jobs, when my own desire was to create more self-generated work like ‘the happy film’.  jessica had handled large projects like aishti and EDP for a while, so this was the right time to approach this and I thought she will make a wonderful partner as she is fantastically prolific in all aspects of design: she can come up with a great idea, execute it, explain it and get it produced.

sagmeister & walsh interview and recent work

 

 

 

DB: jessica, how did it feel to be offered such an opportunity?

 

jessica: it is of course a huge honor to be a partner with stefan.

 

DB: do you think the new dynamic of the studio will change your output?

 

stefan: the desire is always to create work that either helps or delights people.

 

jessica: we hope to both benefit from the partnership and by extension so will our work and our clients. we hope to be able to do more self-authored projects  while continuing to do client work that we are both excited about and believe in. we’ve started taking on more film, commercial and web projects in the past year which we both enjoy and will likely do more of.

 

sagmeister & walsh interview and recent work

 

 

 

DB: did the online reaction to your promotional mailer surprise you at all?

 

stefan: I was deeply hurt by all the foreskin comments. I am very fond of it. I might start to work it out more.

 

jessica: I read the comments, but I had expected and was prepared for negative comments. I laughed! mostly the feedback we received was overwhelmingly positive.

 

DB: were you keeping track of what was being said on the design blogs, twitter etc.?

 

stefan: no, but that’s a good idea. it could become its own little design project, or not.

 

jessica: we’ll do that now, maybe compile the good and bad ones.

sagmeister & walsh interview and recent work aishti identity, 2011

 

 

 

DB: did it give you any food for thought?

 

stefan: we want to do more of it. flood the net with images of my socks. my socks will have their own facebook page, soon.

 

jessica: naked christmas cards?

sagmeister & walsh interview and recent work aishti identity, 2011

 

 

 

DB: could you tell us a bit about what you are working on now and what we can expect from your studio in the near future?

 

stefan: we are working on the happy film, to be released in fall 2013. and starting to work on design with no purpose… please don’t ask, I don’t quite understand it myself yet. also a middle eastern department store, a new museum project, about three exhibits and five books.

 

jessica: this week the studio is working on designing a poster, a book, the new studio identity, and a website. we’re also finishing up a new advertising campaign  for one of our fashion clients. in the past few years we’ve had a great mix of projects ranging from design for advertising, exhibitions, books, print, commercials to film.

 

DB: your site streams live footage of your studio all day everyday, are you overly conscious that you are being watched?

 

stefan: no.

 

jessica: thousands of people have now seen me naked, so I would hope people seeing me work wouldn’t make me nervous!

sagmeister & walsh interview and recent workaishti bags, 2011 – the bags feature kissing couples inside

 

 

 

DB: what piece of advice should every graphic designer remember?

 

stefan: if you are fresh out of school, look for a design company that does the kind of work you want to do. try really hard to get a job with them. work your ass off. then start your own place.

 

jessica: do work you love and are passionate about,  look outside of the world of graphic design for inspiration.

 

sagmeister & walsh interview and recent work aishti identity, 2011

 

 

 

DB: what piece of advice should every graphic designer ignore?

 

stefan: ‘the computer is just a tool’ if you believe that, you are a tool.

 

jessica: tools

sagmeister & walsh interview and recent work aishti identity, 2011

sagmeister & walsh interview and recent work aishti identity, 2011

sagmeister & walsh interview and recent work aishti identity, 2011

sagmeister & walsh interview and recent work aishti identity, 2011

sagmeister & walsh interview and recent work cut paper photo illustrations for the aishti minis advertising campaign, 2011

sagmeister & walsh interview and recent work aishti minis is a children’s department store based in beirut. campaign images were used in newspapers, magazines, and billboards in the middle east

sagmeister & walsh interview and recent work aizone identity, 2010

sagmeister & walsh interview and recent work aizone identity, 2010

sagmeister & walsh interview and recent work aizone identity, 2010

sagmeister & walsh interview and recent work aizone spring / summer 2011 campaign images, 2011

sagmeister & walsh interview and recent work aizone spring / summer 2011 campaign images, 2011

sagmeister & walsh interview and recent work aizone spring / summer 2011 campaign images, 2011

sagmeister & walsh interview and recent work aizone spring / summer 2011 campaign images, 2011

sagmeister & walsh interview and recent work aizone spring / summer 2011 campaign images, 2011

sagmeister & walsh interview and recent work aizone spring / summer 2011 campaign images, 2011

sagmeister & walsh interview and recent work aizone spring / summer 2011 campaign images, 2011

sagmeister & walsh interview and recent work aizone spring / summer 2011 campaign images, 2011

sagmeister & walsh interview and recent work EDP identity, 2011  (portugese energy company)

sagmeister & walsh interview and recent work EDP website, 2011

sagmeister & walsh interview and recent work EDP identity, 2011

sagmeister & walsh interview and recent work story identity, 2011

sagmeister & walsh interview and recent work story identity, 2011 – story is a concept store in chelsea, new york

sagmeister & walsh interview and recent work story identity, 2011

sagmeister & walsh interview and recent work story identity, 2011

sagmeister & walsh interview and recent work story identity, 2011

  • Incredible art, marvelous execution 🙂

    abhi
  • Who give a f#%k if the two are naked, their work is amazing!

    LAIWONDERLAND
  • for those who are wondering why they are actually naked…
    take a look at the sagmeister inc. mailer, he made, when he founded his own company about 20 years ago.

    http://www.thedisciplesofdesign.co.uk/2012/06/walsh-controversy/

    smple
  • @Peen It must have been quite a relieve to get that out. (-;
    Some get naked to get attention, some write a piece about it to achieve the same (why write if no one reads)
    +1 for the proze as such if a bit harsh. Beauty is in the eye……yaddayadda et cetera

    marc
  • refreshing!!! 🙂

    bludge
  • All i can hope for is that sage meister does not chop of walsh’s package. And why on earth would two rather unattractive naked people try to promote their stuff this way? To be truthful, I’d be worried they had sat on all of it

    sagab
  • You know what? I am almost seventy years old and I truly try to appreciate any type of artistic im- or ex-pressionism. I am a child of the sixties. I have spent lovely times with beautiful people in large pools of gorgeously chlorinated water. Naked.

    Then, somewhere in the purple haze of the sixties, I saw, “I am curious yellow”…

    Since then I have felt such antipathy to people who think that just because they are undressed, they are less “inhibited” thereby intruing into the creative realm.

    My question is, most of the time: why is it that the people who look the least appetizing, feel the need to shows off their pathetic bodies, their less than perfect skeletal structures, their dressing either to the left or right but never RIGHT, and often accompanied by a female (as a diversion?) hoping that because of the tit-tillation and the twat, they can get away with looking not so much frumpy but “avant garde”. They want to get our attention and they never ever realize that in our time, with all the surgical reconstruction and prosthetics, no one, seriously is interested in the reality of a mediocre prick and a woman with hips that do not scream “child bearing”.

    peen
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