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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘s.b. 49’ cup & saucer in yellow / pink
‘s.b. 40’ teacup in orange / grey
‘s.b. 54’ teapot in white / light blue
left: ‘s.b. 53’ container in pink / gridright: ‘s.b. 51’ container in light blue / grid
‘s.b. 29’ bowl in white / red

left: ‘s.b. 64’ low vase in white / pinkright: ‘s.b. 69’ high vase in white / light blue
stefan scholten of scholten & baijings at the london design museum’s ‘designs of the year 2013’ exhibition where ‘colour porcealin’ is being showcasedimage © designboom
the extensive range of pieces which include candle holders, teacups, vases and platesimage © designboom
the pieces are finished in hues which collectively form the specific arita colour spectrumimage © designboom
documentation of the hand production of each pieceimage © designboom
stefan scholten explaining the development of ‘colour porcelain’ to designboomimage © designboom