critically acclaimed artist siba sahabi translates cultural heritage into contemporary design through an interpretation of both historical forms and concepts. using alhazen’s camera obscura principles, also known as a pinhole camera, sahabi’s sculptures are made out of steel, copper and brass and were treated, on their interior surfaces, with a light sensitive emulsion. she then exposed these surfaces to light through three to six pinholes per object and developed the black and white images in a darkroom. 

siba sahabi translates her cultural heritage through pyramid-shaped photographic sculptures
the sculptures are made out of steel, copper and brass
images © thomas aangeenbrug

 

 

after coating the photographs with resin, each camera obscura is finally re-assembled with the photographs facing outwards. the final sculptures simultaneously embody both states: apparatus and work of art. siba’s cameras — taking the form of abstract pyramids — express the interaction between middle eastern and european culture through art and science.

siba sahabi translates her cultural heritage through pyramid-shaped photographic sculptures
the photographic collages on the surface of each object were previously captured inside the same shape using the principles of a pinhole camera

 

 

the launch of ‘obscura’ in amsterdam is a way to connect the middle east to europe. after having spent four weeks in cairo, the sculptures create a form of double exposure: showing the photographs of the city and—due to the shiny resin coating—reflecting the european surroundings.

siba sahabi translates her cultural heritage through pyramid-shaped photographic sculptures
the project is realized with the support of the amsterdams fonds voor de kunst, netherlands-flemish institute in cairo and stichting stokroos

siba sahabi translates her cultural heritage through pyramid-shaped photographic sculptures
after coating the photographs with resin each camera obscura was finally re-assembled with the photographs facing outwards

siba sahabi translates her cultural heritage through pyramid-shaped photographic sculptures
the final sculptures simultaneously embody both states: apparatus and work of art

siba sahabi translates her cultural heritage through pyramid-shaped photographic sculptures
siba’s cameras express the interaction between middle eastern and european culture through art and science

siba sahabi translates her cultural heritage through pyramid-shaped photographic sculptures
the project is an homage to the scientist and philosopher alhazen, who is considered to be the father of optics

 

 

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: lynn chaya | designboom