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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450
crest of band member aristókrasía
crest of band member búrókrasía
crest for band member intelligentsía
detail of intelligentsía
crest of band member próletaría
crest of band member súbúrbía
crest of track 1 ‘babbage’
crest of track 2 ‘cargo frakt’
crest of track 3 ‘konami’
crest of track 4 ‘pólýnesía’
crest of track 5 ‘pentatronik’
crest of track 6 ‘macht parat den apparat’
crest of track 7 ‘síríus alfa’
crest of track 8 ‘1 2 3 forever’
crest of track 9 ‘söngur geimunglingsins’
generally making his own typefaces for each new project, common sans was used on the apparat organ quartet album
eggertsson also collaborated with atelier atli hilmarsson for the comprehensive branding of the designmarch conference
cover artwork for little white lies magazine
left: the product of personal work and exploring a triangle based isometric approach right: album art for the second album from gnarls barkley