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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

detail of ‘seven deadly sins – seven heavenly virtues’ image courtesy lobmeyr (detail)
image courtesy lobmeyr (detail)
the black bottom shows illustrations that reflect the ‘seven deadly sins’ image © designboom
meanwhile the glasses with the clear bottom show the ‘seven heavenly virtues’ image © designboom
the original no. 248 tumbler by adolf loos has a geometric pattern on the bottom image courtesy lobmeyr
at the entrance of the lobmeyr store there are panels showing the photgraphic icons that stefan sagmeister has chosen for the original no. 248 bar set by adolf loos image © designboom
inside the lobmeyr store image © designboom