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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

the carousel filled with colorful jackets image courtesy of museum boijmans van beuningen
as visitors interacting with the coat rack images courtesy of elian somers“the merry-go-round coat rack is a spatial ballet for coats, with a colour palette that is determined by the season. its presence is so strong that one starts experiencing the museum the moment one enters the space: something as banal as a coat rack has clearly become a work of art itself. by participating, the user becomes part of the design. the engagement of the designer is tangible, the technical and aesthetic execution is excellent; all these qualities together make this the best design of the moment.” – DDA jury
hanging jackets image courtesy of museum boijmans van beuningen
red and white ropes, plastic pulley blocks, fire hoses and metal weights are used to hoist the jackets images courtesy of elian somers
a closer look at the pulley system image courtesy of museum boijmans van beuningen