KEEP UP WITH OUR DAILY AND WEEKLY NEWSLETTERS
bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘kashiwado chair’ by isamu kenmochi, cedar wood, 1961 © musée du quai branly / mie prefectural art museum, tsu
‘vase with one hole’ by isamu noguchi, terracotta and enamel, 1950 © musée du quai branly / the isamu nogchi foundation and garden museum, new york
‘my mu’ by isamu noguci, terracotta of shigaraki, 1950 © the isamu nogchi foundation and garden museum, new york
‘bamboo basket chair’ by isamu noguchi and isamu knemochi, 1950 © musée du quai branly / the isamu nogchi foundation and garden museum, new york
‘jar’ by kenkichi tomimoto, porcelain, 1943 © musée du quai branly / ohara museum of art, kurashiki